EXCLUSIVE
A Wrap Series: The tangled web of Michael Jackson's finances and his tumultuous 30 years of dealings with the superlawyer who now rules his estate -- the first of five parts
No one said that ruling Michael Jackson’s inner circle would be a moonwalk.
Just a year and a half after his death, lawyer John G. Branca is about to oversee the release of a posthumous album on Dec. 14 under a new $250 million deal for the estate, even as he negotiates a way out of a looming $300 million debt that Jackson left behind.
But did Branca, who had a hand in nearly all of MJ's most brilliant career and financial moves, always have his client's best interests at heart? According to documents obtained by TheWrap, the lawyer tried to help along a deal that would have dispossessed Jackson of the music catalogue he held most dear -- while making Branca considerably richer.
Branca has never embraced the limelight. But in a months-long investigation that included secret documents and two dozen interviews -- one with Branca himself -- TheWrap reveals the complicated relationship between the singer and the lawyer that Jackson would hire for the last time within a week of his death.
In that short, final tenure, Branca was left permanently in charge of one of the most important music legacies of our time.
Branca’s roller-coaster relationship with Jackson unfolds over 30 years of hiring and refiring.
It is punctuated by moments of brilliance, such as when the lawyer orchestrated Jackson's purchase of the Beatles' song catalogue, ATV Music, perhaps the most important deal of Jackson’s life.
But some might conclude that Branca is no hero at all. A deal in 2003 to sell Jackson’s interests in the Beatles’ and Mijac catalogues to the investment bank Goldman Sachs will lead some to question Branca's role in Jackson's business affairs.
Either way, his importance in the constellation of Michael Jackson’s firmament cannot be dismissed. The release within days of Jackson’s first posthumous album comes on the heels of record-setting income of $275 million in the year since Jackson died. According to Forbes magazine, the sum topped the year's list of entertainer’s posthumous earnings.
This summer, however, Branca became preoccupied with Jackson's massive $300 million bank debt, due this month, against the estate’s crown jewel -- half interest in Sony/ATV Music Publishing.
At the core of Sony/ATV’s enviable collection of rights to songs by the likes of Elvis, Bob Dylan and Eminem is to be found the Beatles song catalog, a 20th century musical treasure that Branca famously arranged for Jackson once to own outright.
Today, Sony/ATV, which Sony Corp. co-owns, is worth at least $1.6 billion, a valuation substantially attributable to the Beatles.
If it isn't refinanced, the mammoth debt -- owed to the British banking giant Barclays -- could cost the estate its grip on its half interest in Sony/ATV and the Beatles songs. 
Since at least the summer, Branca has been working toward a permanent fix, and by the time this was posted, the tight-lipped lawyer already may have prevailed.
Branca had a previous encounter with the songs and the debt. From 2003 to 2004, virtually the identical financial crisis -- almost $300 million of debt, with the songs at stake -- was met with a momentous initiative by a power cast that included Wall Street-savvy Goldman Sachs, veteran music entrepreneur Charles Koppelman and a Florida entrepreneur dogged by mob suspicions, Alvin Malnik (pictured below, with Jackson).
A cache of confidential documents from the seven-year-old episode -- a copy of which was provided by a member of the group -- reveals an intriguing inside look at the far-reaching effort, which long has been an object of media fascination and Internet-based conspiracy theorists.
The documents, which lay bare new details while corroborating previously unconfirmed disclosures, range from trust materials and loan records to papers bearing on facets of Jackson’s dealings with Sony, where his music career was anchored. As best can be determined, few, if any, outsiders have had access to the nearly 300-page paper trail.
In the documents, Goldman’s master financial alchemists began proposing a venture to position Jackson as “the Bill Gates of the music industry” and described how not only the $300 million debt might be whittled but also detailed how the beleaguered legend could walk away with perhaps $1.3 billion -- with the Wall Street firm exiting even richer.
More to Read: Inside Secrets of the Goldman Deal
But only if he would sell his interest in Sony/ATV and in Mijac, the catalogue of Jackson’s own hits. According to the secret documents, Goldman was prepared even to “drag” Jackson along into a deal to sell them.
As the proposal evolved during more than a year, its fundamental flaw -- that Jackson all but surely would forfeit his songs -- remained clearly obvious to Branca. More than anyone, Branca knew that owning the songs was one of his client Jackson’s great passions and that the singer worried intensely about them slipping from his grasp.
